Muscle memory is clearly an important skill with this instrument, but I feel my sole reliance on it has done me a disservice. I brought up the disconnected feeling randomly my vocal coach and she suggested that when I practice scales and arpeggios (the latter of which I rarely practice...I know, I know...) that I actively call out the name of the notes I'm hitting. My first thought was that this will also help with me oddly terrible ability to say the alphabet backwards from G. But I think she may be onto something. Having only tried this method a few times, I already feel that this is going to help me address the issue.
As I think on how long it took me to find a simple solution to my disconnect problem, it becomes quite clear to me that I need to come up with other similar efficient practice techniques if I ever want to rise above piano mediocre. My progress has been beyond disappointing of late and it's frustrating. I need a renewed effort on more efficiency and deliberate practice. If I can get those working in tandem I believe it will really boost my progress in the direction I want.
In other news, I sang the first part of a song in front of someone for the first time, and it was absolutely terrifying. All these times I've worked with the vocal coach, I have only been focusing on technique and exercises, forever pushing off attempting a real song. Okay, that's not quite true. To ease me into the process, we've often worked on the below:
Which I've gotten pretty good at, if I may be so bold. Though obviously not quite as good as Pavarotti. But singing a song in a language you don't know is pretty on par with doing various technique exercise. It's a lot easier to really throw yourself into it when it just comes out as a bunch of sounds. When it comes out as understandable words, that's when the doubt and fear and such really sets in. With that in mind, when the first word of the new song I worked on came out as little more than a squeak, I wasn't really surprised. I'm not discouraged though as I think on how far I've progressed since my first lesson. In the beginning, even jibberish sounds were hard to make myself do at any reasonable volume; even more difficult were the many strange exercises that make you look completely ridiculous.
It took a while to become comfortable with all of that, but these days I don't think twice about having to hold my hands to my face and squish my cheeks up in weird ways so that I can trill my lips to get the sound I want. Or, as last time, stick a spoon to the back of my tongue and force it to stay flat when trying to make an "AH" sound. But a year ago I'd have folded in on myself in embarrassment.
Those trials have certainly changed my view on how I think about singers when I see them make silly faces during performance. I used to just think, "that's not a good look for them" but now it just makes me realize they are applying some technique or another to their voice. It's been very enlightening.
Whatever ends up coming out of the time spend in these classes, I feel at the very least it has been good for my self-confidence.